Clothing History Fashion and Style in the sFashion Infomation

The New York art crowd took up this new urban . Punk became a significant influence on shion for many years and still can be seen on runways today.

Women wore pants more often than ever before. Pant suits became common business attire for women, and were paired with button down shirts with large, pointy collars, and masculine jackets. Pussycat bows added a touch of femininity to womens blouses worn for dress or business.

Looking at photographs of people in the s, you can see that men and women sported similar s. High waisted pants were worn by both es. The early s bell bottoms gave way to less exaggerated flare legged pants, then to straight legs by the end of the decade. Button down shirts, short and long sleeved T shirts were worn tight and tucked in. Topped with flowing tresses, the look for young men and women was, essentially, the same.

Layered beads and bangles, lots of large rings were popular jewelry. A natural look deemphad make up.

Bibaopened in the late s after an initial run as a mail order business. Overwhelmed by consumer interest, Barbara Hulanicki offered affordable clothing, jewelry, and home goods to young ladies. By the early s, the trendsetting Hulanicki needed to expand and opened a bigger Biba in a building with Art Deco interiors. Using the look, she ushered in a trend toward Art Deco aimed toward her target shoppers girls with big heads and small bodies.

In the s, young people flocked to dance clubs called discotheques. The French word evolved into Disco, a new brand of music and a subculture first popularized by African American and Latino youth.

Ossie Clarksdesigns were picked up for stage wear by The Beatles, Mick Jagger, and Liza Minnelli.

The designerZandra Rhodeslooked to London street s and ethnic Bohemian shion to create couture versions with gypsy and Eastern European themes. In the late s, her adaptations of Punk hit the runway in high end garments for the very elite that the originators of the rebelled against.

Doloress interest in shion history dates from her teenage years when vintage apparel was widely available in thrift stores.

The oil crisis led to a mid s recession. A poor economy and unemployment of youth squeezed their pocketbooks. An educated youth looked for clothing that expressed their iniduality, and for unique garments bought on the cheap.

Ten years after Rachel CarsonsSilent Spring, people were questioning the technological and chemical trappings of progress. A Back to the Earth culture introduced a new interest in rural living and handicrafts. Adherents of the ideal wore garments based on European peasant costume, American pioneer clothing, and ethnic s. Shirts and dresses were loose, soft, and easy to sew. Worn with sandals, clogs, or boots, granny dresses, loosely based on Victorian and Edwardian s, became so popular that they often showed up at weddings.

In the s, urban young people, sick of hippies and wary of the arty retro scene looked for glamor at the dance clubs. A unique shion sprang up around the sound. Women wore halter dresses, or hot pants made of satiny brics, decorated with sequins. Men wore tight, shiny pants and tucked in shirts opened halfway down the chest. Gold necklaces or medallions completed the look.

John Bates, influenced by Pop Art and Op Art created garments with stripes and geometric shapes in stretchy jersey.

Early s shion continued s themes of Pop Art, Op Art, and psychedelia with bold prints in bright s and geometric designs. Bohemian s of the hippies mixed Victorian with ntastic s as well as with ethnic elements. Art Nouveau added a sinuous romance with the flowing natural lines of Mucha posters, then moved to Edwardian collars and long printed dresses with lace of ruffled bib fronts.

Hi Jenny while I appreciate your compliment, I think that you should pursue more scholarly information. For school projects it is best to use books with in depth information. Perhaps your instructor can point you toward more academically acceple work. This article is meant as an overview of the topic. Good luck on your research!

In the s independent designers began to open their own shops featuring unique s for young people. By the the s these designers helped London became a shion hub

The Disco life was portrayed in the filmSaturday Night Feverthat featured popular music of the genre.

The Civil Rights Movement of the recent past encouraged other groups to grasp at their own freedoms. Womens Liberation loosened the structures of uncomforle undergarments and womens wear in general. The Gay Liberation Movement led to gender bending s and a feeling of self determination. People felt free of social dictates, no longer ruled by the elite shion houses.

Our school uniforms were made mostly of cotton and covered us from neck to a few inches below the knee so nothing showed when we bent over. LOL

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You did a great job covering the different trends/s of the s, a decade which was all over the place in terms of shion.

The recession of the mid s toned down the ntastical whimsey of earlier s. A beleaguered working class mentality led toward a tougher mood of antisocial reaction. Rebelling against the hippie movement and high culture, Punk embraced the trashier aspects of society based on a low class delinquent culture. Torn pants, black clothing, choppy haircuts, and chains as jewelry epitomized a youth that felt marginalized by unemployment and a dim future.

Males began to sport flowing scarves, lipstick, and the bright s usually reserved for women.

Happyboomernurse Hi Gail! I remember the white nurse dresses. I thought they looked so wonderful, but the brics were pretty awful. One day at an antiques shop, I spotted a nurse uniform from WWI! It was so cool and in perfect condition. Of course, it was a heavy cotton. Thanks for stopping in!

The poor economy of the mid s shrunk the influence of the British Boutique scene. Young people were no longer able to afford even independent designer clothing. The influence of the London Boutique dwindled.

The s brought forward many looks of the s. An eclectic mix of s made personal choice shionable and changed the world of shion forever. Men and women were no longer herded into a particular . The Bohemian concept of the self as a work of art offered intriguing garments and mixtures of clothing as well as mixtures of pattern and . But the self interest of the s created a concept of narcissism that led the writer Tom Wolfe to call the s, the me generation.

Thrift stores offered it all unique garments for low prices. During the s, vintage clothing could be found for next to nothing. Dresses, jackets, coats, jewelry, and hats from the early part of the century were mixed with jeans and other modern garments.

Newer films likeThe Great Gatsbyin andCabaretin influenced shion trends. Yves St. Laurents collection drew heavily on womens shions of the s.

Bill Gibbintroduced romantic clothing based on historic looks from medieval to Renaissance s. Incorporating Eastern European folk costume and hints of the Aesthetic Movement, he mixed and layered patterns in plaids and florals creating an exciting, eclectic look that has reappeared ever since.

As people looked to clothing for self expression, they needed new places to shop for clothes. The recession of the mid s put an educated youth out of work, or working at odd or low paying jobs to make ends meet.

The ual awakening along with Womens Lib and Gay Lib movements suddenly gave crossdressing a new appeal. Tim Currys transvestite vampire in the film,Rocky Horror PictureShow, introduced a charmingly shocking new look and took androgyny to new s in an ironic form of glamor.

Laura Ashley, however, slipped into the mainstream and remained a commercial success. Her cotton floral print dresses with long sleeves, high necklines trimmed with lace were reminiscent of Victorian and Edwardian British country dress.

Dashikis and Kaftans were comforle yet attractive and carried forward the hippie look. Cy hair broke free of past restraints and the s Afro became commonplace. Men and women grow out wild manes of cs in Pre Raphaelite s.

Dolores Monet years agofrom East Coast, United States

Tight black pants featured large zippers, straps, and studs. Women who wore miniskirts pared them with torn fishnet stockings. Large work boots or exaggerated platforms, and Doc Martin boots made people look tough, yet interesting. Wild hair molded into spikes or teased out was often dyed bright unnatural s greens or bright shades of pink. Faces were pale, accentuated by dark eyes and dark red or black lipstick.

Cheap knockoffs of early s high end designs appeared in department stores and the newer discount stores in synthetic materials like rayon, polyester, cheap jersies, and blends. The ugly side of the s produced geometric prints in bright orange, lurid shades of green, and muddy brown. High waisted, plaid polyester pants became an iconic garment for people who now laugh at s shions.

Dolores Monet weeks agofrom East Coast, United States

The thankfully short lived leisure suit gave a twist to mens casual wear. Polyester suits trimmed with contrasting stitching sported wide lapels and came in bright or pastel s. The concept that bright s werent just for women saw men adorned in baby blue, orange, mauve, and chartreuse. Loud or pastel s showed up in tuxedos at weddings, often paired with matching shirts that sported rows of ruffles.

This is one of the best articles Ive ever read on Bellatory! So insightful and so detailed. Think I have just found my primary research guide for my shion ALevel! WOah

I was in college and started my first nursing job during that era and remember that many of the white nursing uniforms were made out of nylon which was dumb because you could see through them, plus they tended to go yellow when washed. Sewed my own uniforms so I could use better bric.

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In those days of free TV, local stations often ran classic movies. Young people, enamored with films from the s, s, and s could purchase old clothing to emulate the Golden Age of Hollywood. The retro look made it easy to look different.

Fashions of the s were erse, reflecting a new interest in clothing as self expression. No single look encompassed the decade which was a mixed back of hippie/Bohemian, retro, and punk. The general silhouette was long and lean with lots of hair, a look for both es that gave the era an androgynous appeal. This was the time for uni hair salons, a time when platform shoes appeared for both men and women, and both es wore high waisted pants and shag haircuts.

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